The charming film places an emphasis on the "art" on artificial intelligence

The result when you mix the work of an AI image generator, an 98-year-old woman called Lillian, and Harry Potter? It's the result: 'HAIRY POUTER' is a movie of shorter duration made created by Chris Carboni, a director who mixes increasingly entertaining AI-generated imagery with a commentary on the classic book written by a funny nonagenarian.

"Lillian is my maternal grandmother," says Chris. "She has always enjoyed a strong relationship and I've been recording her reviewing for around 10 or more years."

As AI image generators began to dominate the web around mid-2022, Chris saw the stars align in a brand new venture that could benefit from his numerous hours of recording as well as assist in understanding his relationship with this emerging technology. "I was surrounded by doubts about these machinesthat I wanted to investigate and was searching for the opportunity to learn more about them," explains Chris. "At time, I was talking to my grandmother, who had was just finishing her reading of Harry Potter which I had bought for her to present her with a birthday present."

After that, the movie was put together quickly using a quick crew of "my grandmother as well as my wife and I, as well as our sound designer and composer and the entire team" - and everything else was (futuristic) the rest of it. The capabilities of AI continue to evolve at rate of light caught up with Chris Carboni for a chat about all things Art and AI.

The video's image is amazing. What were you using to achieve the result?

Chris: So we used MidJourney at the time it was its initial release. It was the first thing to enter the words of Lillian's without editing and checking what the program could make based on only those quotes from the interview. We loved the artistic design it came up with after just a few cycles of making new pictures. Thus, I wrote down some hallmarks of the style of art that were developed from the photo it had produced.

The first picture that was shown to us was Ron wearing his long, wavy hair. It was incredible. It was a bit of shoulders up, and it was clear that he didn't wear any kind of shirt. The man looked like were a sea-shopper. When we got the opportunity to photograph Harry and Ron together when the camera was positioned, the two in a hug as we thought "Oh what a wonderful thing."

The AI was allowed to come up with these interesting interpretations, and when we found one that we enjoyed, we helped it to go along with that particular thread to ensure that it is always enjoyable and easy to follow.

How was it to implement AI to this very human-centered story?

Chris Chris I created this film I was slightly nervous about AIregarding AI. It was a pleasure using it in this movie. I believe that this could be a great use-case in this particular project, as the use of AI was crucial to the overall story.

This is what made it interesting, exciting and unforgettable. The project was about the uncomfortable but enjoyable connection between AI and humans. The project was not one in which we chose not to spend money on an illustrator, but attempted to use AI instead. It was a project where the use of artificial Intelligence formed the foundation of the storytelling.

What are your thoughts on AI becoming a creative force?

Chris Chris: There's certainly something fascinating in this. But it's becoming increasingly difficult as the generators have become extremely widespread. The generators have been unleashed fully and extended to each of these scenarios. The subject has become quite a bit more complex than it once was with regard to my personal perception and understanding of the subject.

Anyone employed in the creative industry must consider the impact of this on their job, and adjust to the fact the fact that things will likely alter. As a result, there will be opportunities for doing incredible and innovative work. However, it will also mean the automatedization of a lot of the art we admire. This makes me angry If I'm being honest. I am worried about art being decreased in value, and eventually becoming costlier as it is.

Do you think that this tech could be useful to perform your work in the future?

Chris Chris: I'm a massive fan of making use of AI to improve my email and as a sort of personal assistant, capable of answering questions, explaining difficult concepts and completing repetitive jobs. When it comes to creative work however, I'm not sure that I fully comprehend. I don't intend to use the process in a manner that would replace human talents within my group. I believe that the results aren't as great.

A large portion of what that we carry out comes from collaboration with colleagues. The entire process created from start to finish by using AI is based on inputs coming from a person's mind. In some cases that might be great however, most of the time the productions are aided by an expert team that collaborate, with each bringing their own experience and unique insights to the blend.

One of the best uses I see are for generating early ideas and kickstarting the creative process. It could be used to raise funds for an idea and displaying ideas in the beginning to get things from a starting point. Animation, however, it's crucial to have complete control over every aspect of the scene to produce and creative reasons. The level of control required is probably coming however, it's not too far away.

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